Keats’ “On First Looking into Chapman’s Homer” is fairly straightforward
and self-explanatory: it is a poem about poetry. It is a simplistic approach to
the appreciation of poetry that is reminiscent of previous poets “change the
world” mentality that we have seen before. The speaker begins the poem by
stating that he has traveled the world and seen the “realms of gold” (1). He
sets the precedence that few things can surprise or amaze him. While these
lines may be beautiful, the intrigue of the poem begins on line 9 and is
condensed in two similes.
“Then felt I like some watcher of the skies/ When a new
planet swims into his ken” (9-10). The first simile compares the speaker of the
poem to an astronomer – hearing Chapman’s understanding of Homer is essentially
an exploration or discovery.
“Or like stout Cortez when with eagle eyes/ He star’d at the
Pacific – and all his men/ Look’d at each other in wild surmise -- / Silent,
upon a peak in Darien” (11-14). Again, this second simile compares the hearing
of Chapman’s translation to a discovery of something unknown.
The emphasis on words such as “new” (10) and the description
of first sightings is an interesting comparison to the speaker’s situation
because he makes it clear that he actually has
heard Homer before yet has never “breathe[d] its pure serene” until Chapman
spoke of it out loud. This indicates the power that poetry has to change – or the
power for the familiar to become novel again. This act of appreciation then
becomes an act of passivity. In both similes the speaker is a “watcher,” (9) “star’d,”
(12) “look’d,” (13) and finally is “silent” (14). This stands in stark contrast
to Chapman’s “speak[ing] out loud and bold” (8). Keats seems to be playing with
the idea of poetry as passive versus active – as if both experiences exist in
the reading of poetry: the active interpretation of the poem, the translation
and analysis, as well as the passive enjoyment and discovery that the speaker is
experiencing in the poem. If this is the case, it presents a fun and ironic
presentation of the poem in which the speaker is both enjoying the poetry of
Homer, yet simultaneously actively presenting the reader with his own poem. In
addition, the poem presents the idea that those on the passive side are
literally left speechless and perhaps are not capable of doing anything besides
existing in isolation and appreciating in silence.
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